Selah is the call of grace to make art at the edge of the world. At the end of the world. — Bayo Akomolafe

We are often reminded that for social change to be transformative, it must be scaled up. It must be big, written in bold fonts across the night sky. Unambiguously clear. We are told that this is how differences come to bear; this is how the “new” shows up — with a messianic roar that rends the clouds asunder. With a splash that makes headline news.

The Selah retreats are a turning to grace. A concourse outside of the normal vicissitudes of citizenship. A tuning fork for grace. Grace is movement: finding safety in leaving safety.

The Selah retreats are an attempt to create art together – art without subjects or objects. The art we make isn’t a finished product, an imposed goal, a pre-designed fabrication, or a project for museum installations. The “art” is undefined, incomprehensible, composed of many griefs and many questions, a tracing of the slightest tremors of perception, a lingering at the material precipices of normal perception, a working with failure to craft gestures that might sensitize us to different differences.

The question at the heart of the Selah retreats is how do we become good hosts to “this monster” — to awkward grace? What could it look like to nourish the minor, to sing to it, to bring something incomprehensible into the world?

Surrounded by story, song, poetry, reading together, and crafting work, we will seek to build mbaris, an Igbo indigenous aesthetic of art, communal responsibility, and experimentation at the edges of crisis. These simultaneous streams of vocations that soften the neurotypical gaze will travel alongside the teachings and guidance of Bayo Akomolafe.