Make Your Stay Part of the Story

Some places you stay in have a way of staying with you. At Esalen, a handful of remarkable spaces offer a chance to live inside the history of this place, and the human potential movement itself. Built on bluffs, tucked into cypress groves, and shaped by the hands of artists, visionaries, and craftspeople, these living artifacts are available as accommodation options — each with its own story, spirit, and quirks.

The Fritz House ‍

In the late 1960s, Fritz Perls, a founder of Gestalt therapy, moved to Esalen, where an extraordinary house was constructed for him. While the man was complicated — a guru, curmudgeon, provocateur, and healer  — if you’re a lover of Gestalt practice and process, there is nowhere on Earth quite like the semi-circular Fritz House. This hand-laid stone, wood, and glass dwelling was built into the cliff’s edge overlooking the Pacific. Here, at the southernmost tip of the property, Fritz lived, taught, challenged, and transformed others. It was within these walls that early “hot seat” sessions unfolded: raw, unfiltered, and revolutionary. Seekers came from around the world to experience full contact with themselves. Many wept. Many laughed. Many walked away changed. Healing was happening in real time.

The Fritz House was designed by Selig Morgenrath, Esalen’s resident rock wall builder, craftsperson, landscaper, and unofficial architect. The builder was Don McQueen and Torre Engineering of Big Sur, CA. Don and Selig regularly fought over design details, and cost overruns were high. The stonework house has an experimental roofline, quirky built-ins, and an awe-inspiring view of the Pacific. 

Esalen co-founder Dick Price studied directly with Fritz in this house, as did many who would later go on to shape somatic therapy, expressive arts, and transpersonal psychology. Passing through the curved entry of the Fritz House was an invitation to a confrontation with the self. While Fritz died in 1970, his mythos remains, as well as the echoes of breakthroughs within the walls. 

Over the years, the Fritz House has evolved into a place of pilgrimage for Gestalt practitioners and for those curious about the roots of Esalen’s Gestalt lineage. Today, the Fritz House is available as a premium accommodation for workshop participants seeking rest and resonance. Whether you’re attending a Gestalt-centered retreat or simply drawn to Esalen’s roots in transformational inquiry, staying here connects you directly to this history.

The Point Houses

Built at the north end of the Garden is a row of accommodation options that feel like they exist in their own small world. The architecture, designed in the late 1960s by Michael Murphy’s brother, Dennis Murphy, forms a silhouette of angled lines, unexpected alcoves, and coastal vibes that attract the creative, the contemplative, and the curious.

There’s the North Point House with its sweeping, expansive ocean views and dramatic light. It is where writers, philosophers, and contemplatives frequently came and continue to come to dream big. The Midpoint House remains Michael and Dulce Murphy’s chosen place to stay when at Esalen. The South Point House, meanwhile, enjoys golden mornings and has been a temporary home to artists and revolutionaries passing through Big Sur from across the nation and around the world.  

Construction began in 1968, with a young resident, Ernest “Buzz” Montague working on the plumbing and work scholar Pam Walatka Portugal planting a garden outside the North Point House, where she lived with Encounter Group practitioner, Will Schutz. She grew vegetables for the Lodge, composting some to fertilize the slowly expanding patch. In those years, Will Schutz planned his workshops on a blackboard out on the North Point deck. Meanwhile, John Lilly, the physician, neuroscientist, psychoanalyst, psychonaut, philosopher, writer, and inventor, lived in the South Point House. While residing there, he experimented with his relaxation floating pod and produced recordings designed to alter human perceptual processes.

These houses have retained their original character, preserving the ambience of the late ’60s, even with modern upgrades. They were initially built to give those who live and work at Esalen a bit of peace and privacy — and workshop seekers can now experience that today.

If you’ve ever wanted to live inside a story, this is your chance. If you’re drawn to the intensity of Fritz Perls’ Gestalt sessions or the peaceful solitude of the Point Houses, these accommodations can offer a different kind of Esalen experience — steeped in history, held by beauty, and shaped by the edges of the world.

Do you have a memory of staying or living in one of the Point Houses? We’d love to hear it. Share your story and help us keep the history of these remarkable dwellings alive.